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Shards of Earth
Shards of Earth by
Adrian Tchaikovsky
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Tags:
sci fi
space opera
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Quote
Character
(Location, Item, Alien Race, etc)
Author
Cover
Popular In Shards of Earth
Ash
Castigar
Essiel
Hannilambra
Heaven's Sword
Hiver
Naeromathi
Ogdru
Pythoness
The Architects
The Broken Harvest
Tothiat
Transient Component Engine
Trine
Popular Quotes And Their Visualizations
"
A bulk like a moon, its near half a crazed mountain range of gleaming crystal spines a hundred kilometres long. The light of Berlenhof’s star touched them and gave back rainbows, cut apart into its constituent frequencies. The dark side of the Architect was a faceted hemisphere, semi-translucent, monstrous suggestions of form all the way down. A machine or a rogue world or a force of nature; no mere human could fathom it.
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while a six-armed golden Hiver with a sad metal face
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It was three metres tall and walked on two columnar legs, ending in thorned pads with jagged clutches of talons. Most of the front of it was mouth, easily big enough to slurp up any one of them, and it had a dozen tentacles like a beard reaching to the ground, all of them lined with vicious hooks. Its hide was a mottled blue-white that interacted weirdly with the yellow and azure foliage around it, making it leap out one moment, blend in the next. On either side of the mouth there were big circular organs, probably not actually eyes.
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Beyond the walls and the surrounding fields, the native plant life stretched away in clashing shades of yellow and indigo-blue. Those “trees” moved, Solace knew. The fences kept up a modulated electromagnetic babble that repelled the local life, but the forest still made the odd slow rush for the barricades, overwhelming the fences until the farmers retaliated with chainsaws and flamethrowers. Even the trees were at war with people on Jericho.
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There was a singular mind at the heart of all that crystal, a consciousness as vast as oceans.
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It clipped off the Hiver’s leg and a slick of frantic metal insects spilled out like living intestines.
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It rose up on a frame that was mostly segmented metal tentacles, black ringed with gold at the annular joints.
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And Idris could see through its senses that the planet was mottled with a kind of rot, a disfiguring decay that the Architect needed to clear away. That rot was thought, the collected minds of all the people living there. They exerted a pressure on the fabric of space that the Architect, for reasons Idris had never grasped, felt the need to release.
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The Architect had launched a couple of its smallest spines into the Heaven’s Sword, inflicting significant but incidental hull damage. Then the spines had begun fragmenting out into… soldiers, Trine had said. Individual mobile units. They had been made of the same crystal as the spines and took on many shapes. Some were humanoid, most were not: many legs, no legs, serpentine, arachnoid, flying ray-forms and other less recognizable things.
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Transient Component Engines? The high-level Essiel stuff—not the toys they give to their underlings. They generate ghost fields in fluids, so that the substrate springs into the shapes they need. Infinitely reconfigurable tech… you need a toaster, it’s a toaster; you need a cutting torch, it’s a cutting torch.”
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Genres Featured In Shards of Earth
Science Fiction
(Dominant)
Space Opera
(Major)
Adventure
(Prominent)
Fantasy
(Notable)
Cyberpunk
(Sub-Genre)
Themes Featured In Shards of Earth
Identity and Self-Discovery
(Significant)
Survival and Resilience
(Major)
War and Conflict
(Moderate)
Exploration and Discovery
(Significant)
The Nature of Humanity
(Noticable)
Technology and its Impact
(Moderate)
Interconnectedness of Life
(Minor)
Redemption and Forgiveness
(Noticable)
Tones In Shards of Earth
Intense
(Strong)
Mysterious
(Moderate)
Melancholic
(Noticable)
Hopeful
(Mild)
Tense
(Very Strong)
Reflective
(Noticable)
Dramatic
(Strong)
Foreboding
(Moderate)
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The Space Between Worlds by Micaiah Johnson
The Broken Earth Trilogy by N.K. Jemisin
A Memory Called Empire by Arkady Martine
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